I wanna explain a few things to you regarding “TCRA”…

The Cadaverous Retaliation AgendaYou know how I have told you that absolutely nothing on this album is by chance? Everything is dissected and calculated into the smallest detail? It is. The amount of time we spent completing this left no room for errors, it all came full circle, just as I planned it. And when I say “full circle” (which is something I have hinted at before in previous posts during the process of creating this beast) I mean full circle. A lot of you people seem to think that the “DCLX…” tracks on “TCRA” are just small instrumental pieces in between the “real” songs. Hardly so. There’s much more to them than that. They are there to give you a hint/reminder of what’s to come and what has been. Confused yet? You must not be. This will all be very clear to you shortly, and you will further understand what kind of thought and work went into “TCRA”. And to see us charge 15 Euros for the album is obviously insane, yes? Now, pay attention…

1. DCLXI – This is the initiation to everything that is “TCRA”. The seed of what’s to come. The proclamation of 12 coming sermons.

2. I feed you THE flesh of your poisonous Christ – Pay attention to the first riff of the whole album.

3. DCLXII – We start with granting you things that will occur on the album later on, but at this point you have no idea about it. This piece is based on a part from the song that ends “TCRA”, namely “Welcome the Judas agenda”. It’s just transferred into piano and downbeats, adding a completely new atmosphere to it.

4. We watch in silence as the earth turns to blood

5. DCLXIII – “Carving out the tongues which speak of salvation” is serving as the source for what this instrumental is based on. Listen closely and you should easily find the section that is used in here. Masking it in a techno environment shouldn’t prevent you from hearing it since it’s pretty much using the same BPM as well.

6. Conquering the throne of the CADAVEROUS

7. DCLXIV – On top of the obvious electronics and the sermons speaking about flesh is a part from the song “The great retaliation is upon them”.

8. The great RETALIATION is upon them

9. DCLXV – And now we move backwards to remind you of what you just heard, even though you most likely won’t notice it until I explain it to you. Underneath the preachings and effects is a very low orchestra thing, that eventually becomes more obvious, based on a riff from “Conquering the throne of the cadaverous”.

10. Carving out the tongues which speak of salvation

11. DCLXVI – “We watch in silence as the earth turns to blood” holds a section that is used for this song. Also note how the ending orchestras use the same tones as the start of “Welcome the Judas agenda”, binding the two together perfectly.

12. Welcome the Judas AGENDAThe guitars that end the album play the exact same riff that opens up “I feed you the flesh of your poisonous Christ”, only very much slower with added harmonies, making the album end with the very first riff that starts off “TCRA”. And by doing so, it is completing the cycle.

You’ll have to find out what parts from the referred songs have been used as base for the instrumental tracks yourself, coz naming those would make it too easy on you. I want you to experience “TCRA”. Nothing less. If you have illegally downloaded this masterpiece from the Internet (since Judas finally surfaced), do yourself a favor and support our work by showing us your support by donating what the album costs to get from us directly.

Posted by Lord K Philipson, January 4th, 2013 | Filed in Artwork, News, The Project Hate.