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I wanna explain a few things to you regarding “TCRA”…

You know how I have told you that absolutely nothing on this album is by chance? Everything is dissected and calculated into the smallest detail? It is. The amount of time we spent completing this left no room for errors, it all came full circle, just as I planned it. And when I say “full circle” (which is something I have hinted at before in previous posts during the process of creating this beast) I mean full circle. A lot of you people seem to think that the “DCLX…” tracks on “TCRA” are just small instrumental pieces in between the “real” songs. Hardly so. There’s much more to them than that. They are there to give you a hint/reminder of what’s to come and what has been. Confused yet? You must not be. This will all be very clear to you shortly, and you will further understand what kind of thought and work went into “TCRA”. And to see us charge 15 Euros for the album is obviously insane, yes? Now, pay attention…

1. DCLXI – This is the initiation to everything that is “TCRA”. The seed of what’s to come. The proclamation of 12 coming sermons.

2. I feed you THE flesh of your poisonous Christ – Pay attention to the first riff of the whole album.

3. DCLXII – We start with granting you things that will occur on the album later on, but at this point you have no idea about it. This piece is based on a part from the song that ends “TCRA”, namely “Welcome the Judas agenda”. It’s just transferred into piano and downbeats, adding a completely new atmosphere to it.

4. We watch in silence as the earth turns to blood

5. DCLXIII – “Carving out the tongues which speak of salvation” is serving as the source for what this instrumental is based on. Listen closely and you should easily find the section that is used in here. Masking it in a techno environment shouldn’t prevent you from hearing it since it’s pretty much using the same BPM as well.

6. Conquering the throne of the CADAVEROUS

7. DCLXIV – On top of the obvious electronics and the sermons speaking about flesh is a part from the song “The great retaliation is upon them”.

8. The great RETALIATION is upon them

9. DCLXV – And now we move backwards to remind you of what you just heard, even though you most likely won’t notice it until I explain it to you. Underneath the preachings and effects is a very low orchestra thing, that eventually becomes more obvious, based on a riff from “Conquering the throne of the cadaverous”.

10. Carving out the tongues which speak of salvation

11. DCLXVI – “We watch in silence as the earth turns to blood” holds a section that is used for this song. Also note how the ending orchestras use the same tones as the start of “Welcome the Judas agenda”, binding the two together perfectly.

12. Welcome the Judas AGENDA – The guitars that end the album play the exact same riff that opens up “I feed you the flesh of your poisonous Christ”, only very much slower with added harmonies, making the album end with the very first riff that starts off “TCRA”. And by doing so, it is completing the cycle.

You’ll have to find out what parts from the referred songs have been used as base for the instrumental tracks yourself, coz naming those would make it too easy on you. I want you to experience “TCRA”. Nothing less. If you have illegally downloaded this masterpiece from the Internet (since Judas finally surfaced), do yourself a favor and support our work by showing us your support by donating what the album costs to get from us directly.

More geniuses inbound!

I think I need to clarify one thing again, hopefully once and for all, becoz a few selected geniuses in this world obviously can’t understand the fact they should actually pay for our new album in order to hear it. What’s the world coming to, huh? Thing is, you know I had to deal with some absolutely retarded girl a few days ago, yes? She wanted the new album for free so she could review it, after all – she’s Queen Bee Fuckbucket of the Internetz Reviews, you know. She just couldn’t understand we would charge HER, Her Majesty Of Urine, money for our album. As mentioned, what’s the fucken world coming to?! We also get the occasional clownshoe on Facebook, squirting out his disappointed semen all over the place since he can’t steal the album at this point, and paying for it is insane, obviously. It’s too easy to block them and forget about them, so why do they even bother? The power of The Internetz, dammit!

Now, here’s the deal since some of these people just don’t get it, and I’ll use the words from our beloved forumer Eartmonger since he already said what I have in mind:

“What you seem to not understand is that TCRA wasn’t made to be reviewed. It wasn’t made to be listened to by anyone who wasn’t involved in the experiment. Thus, why it isn’t on YouTube. Or that other thing (last.fm?). You are privileged to hear it at all.”

So, are we clear about this? I don’t want any reviews, I’m not sending out the album to get any reviews and I certainly do not care about reviews, at all. “TCRA” is made for the people who made it come alive and who buy it from us today. No one else. It wasn’t made for thieves, liars and Judas. As soon as you have bought the album from us, it’s yours to do what you want with it. We just ask you not to leak it and respect our work. That’s all.

What you ultimately decide to do with it is your choice.

Get your “TCRA” shirt now, people!

It’s time for a reminder, obviously, since we’ve got a bunch of shirts left that do no good being in a box. So, click this link and place your order. You never know when the next shirt will come about. Also, spread the word on how you can get “TCRA”, the album, from us. You certainly don’t wanna miss out on this majestic piece consisting of 12 apocalyptic hymns. In the meantime we thank you for the support and once again we wanna express our gratitude to the people who have respected our work and haven’t leaked it, people deciding they want nothing to do with becoming Judas. It must be a new world record to have an album out, and 3 weeks after its release it’s still not on the Internet for illegal downloading. As said, we thank you.

A new idiot is born each and every day…

You know how I mentioned how I have to deal with some absolutely retarded people every day? If not, here’s the link to that very post. Obviously, we haven’t seen the end of it, not that I thought that would ever happen, but hey… It seems quite a few media outlets want to hear the album since I get mails about it every now and then. And then there’s this fucken idiot called Tiphany Matai who obviously “works” for some site. Apparently, this one thinks we owe her the album so she can write about it. We should send it to her becoz she’s a… reviewer. Wow. What I feel about this issue is very well explained in this conversation displayed below (click the thumbnails to enlarge them):

 

 

 

 

 

 

 

 

 

 

Isn’t it funny how incredibly cunt-hurt she got when we didn’t give the album to her? Just look at her Facebook:

 

 

 

 

 

After all, she’s a… reviewer for fuck’s sake. If you wanna talk shit about us on your Facebook page, Tiphany, I welcome it. Cum Victriciis In Manibus Armis.

As you all might understand, media is not important to me any longer. This album wasn’t made so it could be reviewed at any sites, especially not on French ones where Queen Bee Fuckbucket works. I don’t care if anyone fucken reviews what we do. It matters not to me anymore. I have no grand illusions of selling a shitload of digital units or physical CD’s, it’s not important at all. Understand: I don’t care. If I would have cared I would have approached a label so they could release it and work their promotional machine. But I didn’t. “The Cadaverous Retaliation Agenda” is recorded for The Haters and it was made possible thru their donations and continuous support. Explain to me why the fuck people like this Tiphany-idiot think they are entitled to the album for free becoz they “work” on a website. The ones who want to hear what we do will find out about the album, support the band and buy it from us. It costs 15 Euros. Those are the people who deserve to listen to it. Those are the ones who this album is created for. So, lets’ make this very clear one last time:

DO NOT E-MAIL ME AND ACT LIKE YOU ARE ENTITLED TO A FREE COPY OF THE ALBUM, BECAUSE YOU AREN’T.

Ending 2012 in glorious fashion…

The date 12/12/12 is marked as the day when we released “The Cadaverous Retaliation Agenda”. The feedback we have gotten from The Haters is mind-blowing, to say the least. Some of these fine people also happen to have their own websites and whatnot, meaning a few reviews have come in. Click this link to view the excellence. We know we have created something absolutely amazing with “TCRA” and to see what you people think about it is a feast for saltrubbed eyes. We thank you for your support. In case you haven’t heard this beast of an album yet, you know what to do. Trust us, you want to experience The Agenda. Just take my word for it.

Something else that is absolutely amazing is the fact that we haven’t seen Judas yet. It seems like The Haters really have listened to what I have said about this album and respected it, at least so far. That is beautiful and I think this must be some kind of a record, to not see the album leaked almost 3 weeks after its release. We thank you.

Some of you have asked for merch. Well, click this link for t-shirts and click this one for (eventual) hoodies.

So now 2012 is coming to an end and we have planted the diabolical seed for what’s to arrive later on, when the time is right. Work on our next album will start in 2013 and it’s a gigantic task that we have in front of us. To beat “TCRA” will be a challenge, but if I didn’t like challenges I wouldn’t be doing this.

Trust me – this is but the beginning of what we can, and will, do.